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目录 封面
内容简介
目录
第1单元 杰弗里?乔叟
1.1 复习笔记
1.2 课后习题详解
1.3 考研真题与典型题详解
第2单元 威廉?莎士比亚
2.1 复习笔记
2.2 课后习题详解
2.3 考研真题与典型题详解
第3单元 弗朗西斯?培根
3.1 复习笔记
3.2 课后习题详解
3.3 考研真题与典型题详解
第4单元 17世纪英国诗人
4.1 复习笔记
4.2 课后习题详解
4.3 考研真题与典型题详解
第5单元 冒险小说作家
5.1 复习笔记
5.2 课后习题详解
5.3 考研真题与典型题详解
第6单元 浪漫主义诗人(1)
6.1 复习笔记
6.2 课后习题详解
6.3 考研真题与典型题详解
第7单元 简?奥斯汀
7.1 复习笔记
7.2 课后习题详解
7.3 考研真题与典型题详解
第8单元 浪漫主义诗人(2)
8.1 复习笔记
8.2 课后习题详解
8.3 考研真题与典型题详解
第9单元 夏洛蒂 ? 勃朗特
9.1 复习笔记
9.2 课后习题详解
9.3 考研真题与典型题详解
第10单元 查尔斯?狄更斯
10.1 复习笔记
10.2 课后习题详解
10.3 考研真题与典型题详解
第11单元 维多利亚时代的诗人
11.1 复习笔记
11.2 课后习题详解
11.3 考研真题与典型题详解
第12单元 托马斯?哈代
12.1 复习笔记
12.2 课后习题详解
12.3 考研真题与典型题详解
第13单元 现代剧作家
13.1 复习笔记
13.2 课后习题详解
13.3 考研真题与典型题详解
第14单元 约瑟夫?康拉德
14.1 复习笔记
14.2 课后习题详解
14.3 考研真题与典型题详解
第15单元 20世纪英国诗人(1)
15.1 复习笔记
15.2 课后习题详解
15.3 考研真题与典型题详解
第16单元 现代主义小说家(1)
16.1 复习笔记
16.2 课后习题详解
16.3 考研真题与典型题详解
第17单元 现代主义小说家(2)
17.1 复习笔记
17.2 课后习题详解
17.3 考研真题与典型题详解
第18单元 E?M?福斯特
18.1 复习笔记
18.2 课后习题详解
18.3 考研真题与典型题详解
第19单元 威廉?戈尔丁
19.1 复习笔记
19.2 课后习题详解
19.3 考研真题与典型题详解
第20单元 多丽斯?莱辛
20.1 复习笔记
20.2 课后习题详解
20.3 考研真题与典型题详解
第21单元 约翰?福尔斯
21.1 复习笔记
21.2 课后习题详解
21.3 考研真题与典型题详解
第22单元 20世纪英国诗人(2)
22.1 复习笔记
22.2 课后习题详解
22.3 考研真题与典型题详解
第23单元 A. S. 拜厄特
23.1 复习笔记
23.2 课后习题详解
23.3 考研真题与典型题详解
第24单元 V. S. 奈保尔
24.1 复习笔记
24.2 课后习题详解
24.3 考研真题与典型题详解
第25单元 格雷厄姆?斯维夫特
25.1 复习笔记
25.2 课后习题详解
25.3 考研真题与典型题详解
第26单元 石黑一雄
26.1 复习笔记
26.2 课后习题详解
26.3 考研真题与典型题详解
第27单元 伊恩?麦克尤恩
27.1 复习笔记
27.2 课后习题详解
27.3 考研真题与典型题详解
第28单元 朱利安?巴恩斯
28.1 复习笔记
28.2 课后习题详解
28.3 考研真题与典型题详解
内容简介
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我国各大院校一般都把国内外通用的权威教科书作为本科生和研究生学习专业课程的参考教材,这些教材甚至被很多考试(特别是硕士和博士入学考试)和培训项目作为指定参考书。为了帮助读者更好地学习专业课,我们有针对性地编著了一套与国内外教材配套的复习资料,并提供配套的名师讲堂、3D电子书和题库。
《英国文学选读》(王守仁主编,高等教育出版社)一直被用作高等院校英语专业英美文学教材,被部分院校指定为英语专业考研必读书和学术研究参考书。为了帮助读者更好地学习这本教材,我们精心编著了它的配套辅导用书。
王守仁《英国文学选读》第四版在第三版基础上新增加了两个单元(第27单元伊恩?麦克尤恩和第28单元朱利安?巴恩斯),并且替换了第14单元、第18单元和第24单元中康拉德、福斯特和奈保尔三位作家的作品选篇及其课后习题。为了方便不同版本教材的读者使用,本书结合了第三版和第四版教材的章目编排,共分为28单元(其中第27—28单元根据第四版新增内容编辑,并在第14单元、第18单元和第24单元中同时保留了第三版和第四版作品选篇的笔记和课后习题详解。)每单元由三部分组成:第一部分为复习笔记(中英文对照),总结本章的重点难点;第二部分是课后习题详解;第三部分为考研真题与典型题详解,精选名校近年考研真题及相关习题,并提供了详细的参考答案。
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第1单元 杰弗里?乔叟
1.1 复习笔记
Geoffrey Chaucer (1343-1400) 1. Life Geoffrey Chaucer, born in 1343 in London, is the founder of English poetry. He was the son of a wine merchant who had connections with the Court. He later became a courtier and comptroller. Chaucer’s learning was wide in scope. He obtained a good knowledge of Latin, French and Italian. He had broad and intimate acquaintance with persons high and low in all walks of life, and knew well the whole life of his time, which left great impressions upon his works and particularly upon his variegated depiction of the English society of his time. He died in 1400 and was buried in Westminster Abbey, thus founding the Poets’ Corner. 2. Major Works The Book of the Duchess (1336) The Parliament of Fowls (1380) The House of Fame (1374-1384) Troilus and Criseyde (1380-1385) The Canterbury Tales (1386-1400) 3. Chaucer’s Literary Career Chaucer’s literary career can be divided into three periods, which is closely related to his life experiences. The first period consists of works translated from French literature; the second consists of works adapted from Italian literature, especially influenced by Dante, Petrarch and Boccaccio, such as Troilus and Criseyde. The third period includes The Canterbury Tales, which is purely English. 4. Selected Work The Canterbury Tales (1) Plot The Canterbury Tales is a collection of stories written in Middle English. The tales (mostly in verse) are told as part of a story-telling contest by twenty-nine pilgrims, together with the narrator, who travel together on a journey from Southwark to the shrine of Saint Thomas Becket at Canterbury Cathedral. When they met at the Tabard Inn, they agreed that each tell two tales on the way to Canterbury and two more on the way back. The best storyteller will get a meal at the inn when they return, courtesy of the other pilgrims. But instead of 120 tales, the text ends after 24 tales, covering all the major types of medieval literature. The stories are well suited to their different characters, ranging from the knight, the monk and the pardoner etc. (2) Theme It shows a true-to-life picture of Chaucer’s time. His tales expose and satirize the evils of his time, attack the degeneration of the noble and the corruption of the Church. Standing for the rising bourgeoisie, Chaucer opposes the dogma of asceticism preached by the Church, and believes man’s right to earthly happiness. He praises man’s energy, intellect, quick wit and love of life. (3) Language Chaucer is the first poet to write in English vernacular, now called Middle English, which bear a close visual resemblance to the English written and spoken today. His language is vivid, exact and fluent. He introduced from France and Italy the rhymed stanza of various types, especially the heroic couplet to English poetry. | 杰弗里·乔叟(1343-1400) 1. 生平 杰弗里·乔叟于1343年出生于伦敦,他是英语诗歌之父。他是一个与宫廷有联系的酒商的儿子。他后来担任过侍臣和审计官。 乔叟知识渊博。他精通拉丁语、法语和意大利语。他结交广泛且易与人深交,无论是贵族还是贫民,因此他深谙所处世事。这尤其有益于他在作品中对英国社会的刻画。 他逝于1400年,被葬在威斯敏斯特教堂,由此“诗人角”开始出现。 2. 主要作品 《公爵夫人之书》(1336) 《百鸟议会》(1380) 《声誉之堂》(1374-1384) 《特罗勒斯与克丽西德》(1380-1385) 《坎特伯雷故事集》(1386-1400) 3. 文学生平 乔叟的文学生平可划分为三个阶段,均与其个人生活经历有关。第一阶段乔叟的作品主要是翻译法国文学,第二阶段则改编于意大利文学,深受但丁、彼特拉克和薄伽丘的影响,如《特罗勒斯与克丽西德》。第三阶段包括《坎特伯雷故事集》,这是纯英语创作阶段。 4. 作品选读 《坎特伯雷故事集》 (1) 情节 《坎特伯雷故事集》是一部用中古英语写成的诗体短篇小说集。 29名朝圣者和叙述者前往坎特伯雷去朝拜托马斯·贝克特朝圣。当他们在旅馆相遇,决定途中进行讲故事比赛,每个人去时和返回时各讲两个,讲得最好的人,回到旅馆后其他朝圣者请他吃饭。最终共有24个故事被写进故事集,故事涵盖了中世纪文学的各个方面。每个故事都与讲述者的身份相符,讲述者包罗各种阶层的人,有骑士、僧侣、赦罪僧等。 (2) 主题 故事集展示了乔叟时代的真实生活画面。揭露并批判了他所处时代的罪恶,批判了贵族的堕落和教会的腐败。乔叟站在新兴小资产阶级的立场,反对教会宣扬的禁欲主义,并且相信人们追求世俗幸福的权利。他赞扬了人的力量、智慧和对生活的热爱。 (3) 语言 乔叟是第一位用中古英语写作的诗人,其看起来和今天使用的英语很相似。他的语言生动、准确、流畅。他采用了法国和意大利的诗歌形式,尤其是 “英雄双韵体”的使用。 | 1.2 课后习题详解
1. How is the setting of the tales described?With such a setting, could you predict the general tone of the tales that areto follow?
Key: (1) Chaucer sets the tales inthe spring, describing both the natural world and people—the natural worldshows a kind of renewal and rebirth, and people begin to stir after the longsleep of winter. Chaucer’s description of the landscape is lively (欢快的)and fresh(清新的), since he speaks of buddingflowers, growing crops and singing birds.
(2) According to such a setting, we can predict that the generaltone of the tales will be light, sprightly(活泼、愉快的)and humorous.
2. In your own words, summarize the character ofthe Knight from the brief introduction in this excerpt.
Key: According to the excerpt, wecan see that the Knight has followed chivalry—truth, honor, freedom andcourtesy. He had fought many battles for the faith of people. He is a brave,wise, modest and “truly perfect gentle knight”.
3. Without comparison with the translatedversion, are there words still recognizable to you in the original MiddleEnglish version?
Key: Yes, there are many words thatcan be recognized. Because many words only contain few different letterscompared with the modern words. What’s more, sometimes, we can recognize thewords by guessing or by the sense-group.
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